Archive for the ‘Other writers’ Category

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First, drown your ape.

August 15, 2025

Welcome to my corner of the 2013 Wonder of Rome Blog Hop! There are (I think) seventeen of us linking up this weekend to offer blog posts on some aspect of Rome for your enjoyment. As you’ll have gathered, I’m Ruth Downie, and I write a series of crime novels featuring Roman army medic Ruso, and his British partner Tilla. Predictably, my choice for the Wonder of Rome is its doctors (even if they did learn most of what they knew from the Greeks).

As part of the Hop I’ll be giving a copy of the Ruso book of their choice to one randomly-chosen reader, so if you’d like to enter the draw, please leave a comment below and I’ll be in touch with the winner. (No, this is not a cunning ploy to make you read to the end. I know you have a ‘scroll’ button.)

Blog Hop logo August 15 to 19 2013

The Ruso books are set during the reign of the Emperor Hadrian, and I’m mightily glad they are. Not only because it’s an interesting period, but – as I discovered when it was too late to change it – I’ve escaped Galen by a gnat’s whisker.

There’s no doubt that Galen (who was born in about A.D. 129) was a marvellous doctor, as he pointed out himself on many occasions. His influence was such that even in the nineteenth century, German medical students had to pass an exam on his works before they could qualify. But he was prolific. Those of us struggling with deadlines and word counts can only marvel at Galen’s ability to produce vast amounts of prose, and give a quiet sigh of relief at the thought that we aren’t compelled to read it all.

Trephined skull

Surgery has a long history. This hole in the head was created over a thousand years before Rome was founded.

I have, however, been perusing “On Anatomical Procedures” recently. This is how I know that you have to drown your ape. Despatching it in any other way will damage it, thus ruining some of the structures Galen wants you to see as you dissect it.

(It occurs to me now, gentle reader, that you may like to use that scroll button after all. This will get a little gory in places. Crime writers, especially those who write about medics, tend to forget that not everyone is used to this stuff. Sorry.)

The unnecessary drowning of apes is not a cheery topic, and the dissection of living creatures - also recommended by Galen - is even worse. Let’s not even think about… no, let’s not. Yet there’s one practice we accept today that would have been deeply disturbing to the classical Romans. Despite their reputation for cruelty, they would have been shocked at the idea that doctors might routinely learn their trade by taking apart real human bodies. Goodness knows what they would make of CSI or Silent Witness. The medical men of ancient Alexandria had helpfully disposed of criminals this way in the past, but by the time the practice of medicine had spread through Greece and across to Rome, it was much frowned upon. So although Galen managed to examine human skeletons, much of his knowledge of anatomy came from animals.

At least Galen was eager to look, learn, and share his knowledge. Not everyone had such high standards. Rather like the title ‘therapist’ today, anyone in the ancient world could call themselves a ‘medicus’, so it was a case of buyer beware. Martial must have expected his audience to get the joke when he wrote,

Until recently, Diaulus was a doctor. Now he’s an undertaker. He’s still, as an undertaker, doing what he used to do as a doctor. (Epigrams, 1.47)

Just to make the point - Galen was obliged to prove to some of his colleagues that arteries are not empty channels. Neither, he pointed out, are they full of milk.

Photo of Roman re-enactor in bloodstained tunic explaining medical instruments

He looks friendly enough, but can you trust him?

The medic in the photo was travelling with the XIIII Legion, which was a good sign, since surgeons with the Army or – like Galen - the gladiator schools, at least had plenty of practice. And the best were very good indeed. Anything accessible and mechanical - breaks, sprains, dislocations, cuts, removal of arrowheads from places they shouldn’t be – all these they could cope with. Some of their techniques were still in use in the First World War, and whilst they didn’t have modern anaesthetics, they were well aware of the effects of opium and mandrake.

I thought I should mention that comforting fact before going on to say that they also had a viable method of dealing with cataracts.

Ready? Peep out between your fingers at the sort of precision instrument they would have used –

Reproduction cataract needle

A modern reproduction of a cataract needle, based on one of a set found in the Saone River in France.

I’m told the less terrifying end could be dipped into a liquid medicine and used to deliver it to the patient, one drop at a time. (This one was made by Steve Wagstaff.)

And here are a couple of examples of real patients from the Roman world, the first one a Londoner:

A pair of collarbones, one broken and mended

According to the Museum of London, the broken half of this pair of collarbones only mended so successfully because someone had strapped it up properly.

The unlucky owner of this bone was buried in Arles -

Photo of badly mended broken bone

Should have gone to Galen?

Dealing with what a doctor could not see or feel was a trickier business. The reason for the spread of disease was much-debated and it’s not hard to conclude that epidemics were kept in check less by medics than by engineers, building aqueducts for fresh water, and sewers the like of which were not seen again in Britain until the great clean-up of Victorian times.

Still, despite everyone’s best efforts, recovery depended on the goodwill of the gods. There are testimonies to overnight cures at the shrine of Aesculapius, and Luke’s gospel tells the story of a woman who had spent all she had on doctors and was finally cured after twelve years of illness by touching Jesus’s cloak.

Photo of clay model of foot

A gift to the gods, in the hope of - or giving thanks for? - a cured foot.

In fact some people were firmly of the opinion that doctors were best left out of the equation altogether. Pliny the Elder, although he recommended plenty of remedies, was appalled by the notion that anyone should attempt to make money out of the sick. “Only a doctor can kill a man with impunity,” he observed, adding, “there is no greater reason for the decay of morals than medicine.”

Not everyone was so cynical. Doctors were given tax concessions, although perhaps in an early example of cracking down on tax dodgers, Antoninus Pius later set a limit to how many doctors each town could have.

Of course in the absence of a doctor, the educated person could always consult a medical text. Modern readers eager to shun artificial chemicals in favour of natural ingredients might thrill to some of the remedies of Dioscorides of Anarzarbus:

  • Toothache? Use the sting of a stingray to shatter the tooth
  • Malaria? Place seven bedbugs inside beans and swallow before the onset of fever
  • Earache? Boil up the insides of a cockroach and drop them into the offending ear
  • Bald spots? Burn the hooves of she-goats and smear them on with vinegar (this is one of many remedies, none of them much more appealing)
  • Thinning hair? Stick on a little extra with a dollop of snail slime
  • Inflamed injury? Plaster on the fresh dung of grazing cattle.

To be fair, not all of Dioscorides’ suggestions are as alarming as those listed above. Most involve medicinal plants and in places he’s careful to point out that he’s only reporting what other people have told him. But should you consider trying any of them, do remember - this was an era in which anyone could call themselves a doctor.

Blog Hop logo August 15 to 19 2013

Please explore more Wonders of Rome via the links below!

Thanks for stopping by on your way around the Hop. If you’d like to know more about Roman medicine, look out for Audrey Cruse’s “Roman Medicine” or Ralph Jackson’s “Doctors and Diseases in the Roman Empire”.

Meanwhile there’s much more Wonder of Rome to visit at the links below. All of them should go live sometime today (15 August) - and don’t forget to leave a comment here by the 19th if you want to enter the free book draw!

David Pilling

Elisabeth Storrs

Gordon Doherty

Scott Hunter

Mark Patton

M C (Manda) Scott

Fred Nath

Brian Young

Helen Hollick

Heather Domin

David Blixt

Alison Morton

Petrea Burchard

Tim Hodkinson

S J A Turney

John Henry Clay

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Last month I didn’t know what a Blog Hop was…

August 12, 2025

…and now I’m about to be in one. Ladies and gentlemen, for your entertainment and edification, this coming Thursday a varied group of writers will be presenting a round of blog posts entitled:

Blog Hop logo August 15 to 19 2013

Goodness knows what will be on offer as to the best of my knowledge, hardly anyone knows what anyone else has chosen to write about, However, rumour has it that there will be book giveaways. My piece will be posted here on Thursday along with links to all the others, and I’m looking forward to some good reading.

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Fiction and Fakery

July 22, 2025

I was going to start this post with the Goebbels quote, “The bigger the lie, the more it will be believed.” Unfortunately it turns out that Goebbels probably never said it. According to this site, what he actually said was, “The English follow the principle that when one lies, one should lie big, and stick to it…” Of course he may not have said that either, since I’ve only picked it up from the Internet, but it suits my purposes.

This is all by way of introducing a marvellous article by Charlotte Higgins in Friday’s Guardian. It begins thus (and this IS a genuine quote, copied and pasted):

In 1747, the sensational discovery of an ancient chronicle redrew the map of Roman Britain and gave us place names we still use today. There was only one problem. It was a sham.

You can enjoy the rest of the article here.

The antiquarians of the day were taken in, and despite what seem (with retrospect) some obvious blunders, De Situ Britanniae (On the Situation of Britain) was not exposed as a fake until a hundred and twenty years after its alleged discovery.

Its author, Charles Bertram, drew on ancient sources to make his work convincing, and there’s no doubt that he intended to deceive. Whereas writers of historical fiction are honest folk who draw on ancient sources in order to weave new tales in and around the accepted ‘facts’…er, it’s all sounding rather similar, isn’t it? Except that reader and writer usually agree on the rules of the game. We all accept that much of what’s inside the book is made up. While we ‘believe’ in Marcus and Esca and their attempts to regain The Eagle of the Ninth, we all know they’re simply an invention of Rosemary Sutcliff’s imagination. However… I’ve lost count of the number of people who’ve assured me that the Ninth Legion really did vanish in Scotland: something that now, in the face of evidence discovered long after the book was published, seems highly unlikely.

Sometimes we believe what we want to believe. And sometimes an invention is useful. It is, after all, very handy to have a collective noun for the range of hills that stretches up the spine of Britain. And the fact that it sounds remarkably similar to the Appenines, which stretch up the spine of Italy, might suggest a Roman source. Or an inventive mind…

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A sad loss

June 20, 2025

We woke this morning to the news that James Gandolfini had died. It felt like losing an old friend of the family.

We came late to The Sopranos in our house. We missed the start of the first episode and it was a while before we realised that behind the violence and the overweight men swearing at each other, there lay a sharp script complemented by marvellous acting.

As the stories unfolded, I couldn’t help wondering whether the Mafia is a spiritual descendent of ancient Roman ancestors. Roman society was deeply hierarchical: everyone was dependent upon someone higher up - apart from the Emperor, who was at the mercy of the gods and sharp knives. In the absence of a police force or a public prosecution service, you hoped that in return for your loyalty, your superior would also be your protector.

The brilliance of the Sopranos script was that we saw behind the façade of the Great Man. We saw a character who could terrorise his business associates but couldn’t control his children, and was paralysed by the impossibility of ever pleasing his ghastly mother. We sat in on Tony’s secret visits to his therapist, who of course could never do much to resolve his problems because he could never tell her the truth. Yet when the therapist was the victim of crime it was Tony, her powerful ally, who administered justice.

It was wonderful writing and Gandolfini, a man with the body of a bear and the innocent grin of a child, was ideally cast.

Rest in peace, James Gandolfini. We remember your work with great pleasure, and – as Tony Soprano would have wanted - with respect.

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CONVOY - Caroline Davies tells stories from the Second World War

May 19, 2025

I have to admit that poetry makes me nervous. I approach it with caution, afraid of revealing yet again that I just haven’t got what it takes to appreciate this sort of thing. But when Caroline Davies passed some of her poems about the Malta convoys around our writers’ group, even I could see that here was something special. I’m delighted that Cinnamon Press thought the same thing, and they’ve now published the whole collection.

Cover of CONVOY

CONVOY weaves together the stories of the men who risked desperate odds to get supplies through to Malta during the Second World War, and of their families back at home. It’s a vivid and moving series of accounts. But I wasn’t sure why Caroline had chosen to write it. After all, the War was history before she was born. There was only one way to find out, so I asked her.

Caroline - Even as a child I was aware that my taid (my grandfather), was involved with the supply of Malta by sea during the war. Although I didn’t know any of the details I took it for granted that everyone else must be aware of how important the defence of the island was. (Me - Malta was a vital strategic base for British forces.) I can remember being shocked that other people seemed to know about the Blitz and the Battle of Britain but not the Malta convoys. A large part of my motivation for writing this book was to reclaim that forgotten history.

Me - Are all the poems based on real events and real people, or are any of them fiction?

Caroline - In many of the poems there is a mixture. Where there is a man’s name in the heading, be it Captain Thomas Horn, or PB ‘Laddie’ Lucas, or Tom Neil then the events and the people are real but what I’ve had to imagine was how they felt about what was unfolding around them. A number of the poems are complete works of my imagination especially the ones written in a child’s voice, that of my mother. Overseas Posting is based on a single remark by one pilot about how he coped with others being posted missing so the name in that poem is fictitious.

Me - Have you had any responses from people who were involved?

Caroline - The majority of them are no longer alive to respond and those who were in their twenties during the war will now be into their nineties. There are two poems in the book which are based on an incident in Tom Neil’s Onward to Malta. He is very much alive and well and so after some hesitation I did send him the poems to read. He was utterly charming about them whilst protesting that he hadn’t done anything special during the war.

There’s more about Tom Neil on Caroline’s blog, here:

http://advancingpoetry.blogspot.co.uk/2013/04/thomas-francis-neil-dfc-afc-ae.html

I’ve mostly had contact with people who like me, are the children or grandchildren of those involved. Paul Lazell whose Dad, Bill, was with the Royal Artillery sent me his father’s diary to read and that provided the basis for one of the found poems in the book.

Me -As someone who usually has at least 100,000 words to play with, I’m impressed by the way the poetry weaves together many stories with few words. With such a large number of ships and a complex series of events, how did you choose what to put in and what to leave out? Did you end up cutting much of what you’d written?

photo of CarolineCaroline - I suspect I probably should have cut more than I did despite all the good advice from my main critical reader, Katy Evans-Bush. The choice of what to leave in was largely governed by deciding to follow individual men, like Roger Hill who was involved in the Operation Pedestal convoy - the attempt to get fifteen merchant ships to Malta. At one point I did have ambitions to follow the fate of every single ship but as my publisher Jan kept reminding me I wasn’t writing a comprehensive maritime history.

One of my men only has six lines in Operation Pedestal. During the editing process I decided these could be cut, only to dream that night of a seaman trying to reach a life-raft which is getting further and further away from him. Needless to say he was reinstated into the poem the next morning.

Me - Were there any stories that you’d like to have put in but which didn’t fit?

Caroline - Plenty. There were various people involved with the RAF; Group Captain Woodhall who was the fighter controller on the island and George Beurling, one of the fighter pilots who shot down twenty seven planes in fourteen days about whom there were many stories.

My focus however was on what was happened out at sea on board the ships. In this regard I would have liked to have included a incident involving Captain David MacFarlane, master of the Melbourne Star during the Pedestal convoy. She kept being left behind or in the words of her captain “we were nobody’s baby”. A merchant ship on its own without any protection from naval vessels was much more vulnerable. Every time MacFarlane steered to take position astern (i.e. behind) one of the destroyers, their hoped for escort would zigzag and pull away. Finally he is given permission to take up station on one of the warships when the Ashanti comes alongside and tells him to turn around as the main body of the convoy is astern of them. McFarlane says that he is quite happy where he is and back comes the stern reply ‘I am the Admiral’.

Me - One of the book’s strengths is the restrained nature of the language - the events are narrated with emotion but without sentimentality. Was that a deliberate choice, or does it echo the tone of the accounts you read?

Caroline - At the back of my mind whilst writing the poems was the idea that they had to sound as if the men themselves were telling the stories. In their accounts and interviews they definitely understate the dangers involved and there’s plenty of black humour. One of my critical readers did suggest that perhaps in places it was a little too impersonal and I did have to work on getting more emotion into the poems.

Me - What surprised you most during the research?

Caroline - There were two aspects that surprised me. The first was how attached I became to many of the men and of course I couldn’t have written any of it without them. The other thing was how difficult emotionally it was at times to write, especially about the Operation Pedestal convoy in which so many ships were lost. In the end the only way I got that written was to go off to North Wales for a week’s writing retreat and just make myself finish it.

Me - I’ve heard it said when people are talking about the Second World War that we have become softer nowadays, and that ‘you couldn’t get people to do that now.’ You have a foot in both camps, so to speak - do you think it’s true?

Caroline - People are still the same underneath though, aren’t they? I don’t think the current generation of young people is that different from the young men and women at the end of the 1930s and if called upon to make the kinds of sacrifices that had to be made during the war I know they would rise to the challenge.

——————-

I’m grateful to Caroline for taking the time to answer, and for agreeing to let me put up a couple of the poems on the blog. I asked for the first one especially, because I love the bleak humour.

Extract from Operation Pedestal

From a pilot on board H.M.S. Furious

Sir, why are the armourers

taking the ammo out of my Spitfire?

Looks like cigarettes they’re putting in?

That’s right.

Someone was worried about weight

preventing us taking off.

Fags don’t weigh much I suppose.

Indeed. Malta is short of smokes

as well as everything else.

It’ll do morale a power of good.

That’s kind of us, Sir.

I hope the Germans

and Italians don’t know.

What if they do? You couldn’t hit them

even if you had ammunition.

I would like to be able to try, Sir.

——————-

Christmas 1941

After three months of dodging the bombing

the Ajax is moored upstream

at the head of Marsa creek.

The bombs still come every day.

Her crew take shelter in the caves.

One watch on board.

She’s hit on Christmas Eve.

The bomb passes clean through her bow.

No explosion. Just bubbles of water.

The Chinese greaser first back on board.

No matter how hard he searches

he can’t find what he seeks.


No sign of the crate. Not a single feather.

A lingering rank chicken smell from the corner

where they’d been fed. Given water.

A hole in the ship’s side instead of

the New Year’s dinner. He takes it personally,

this intervention of the Luftwaffe.

On their unmarried mothers, sons and daughters

he calls down curses. Until this moment

he hadn’t fully seen the point of this war.

© Caroline Davies

Cover of CONVOY

CONVOY is available from

http://www.cinnamonpress.com/convoy/

http://www.waterstones.com/waterstonesweb/products/caroline+davies/convoy/9587810/

http://www.inpressbooks.co.uk/convoy/

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Coming soon… CONVOY

May 16, 2025

This weekend I’ll be talking to Caroline Davies, author of CONVOY, a new collection of poems telling the stories of the men who fought to get supplies through to Malta during the Second World War, and of their families back home.

With luck we’ll have a couple of the poems right here on the blog.

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Oh Deary

February 16, 2025

Terry Deary’s views on public libraries made alarming reading this week. Others have replied far more cogently than I could, so if you want a proper response, Julia Donaldson’s article in the Guardian is a good place to start.

Still, if Deary’s comments re-ignite the debate about public libraries, it won’t be a bad thing. We need to continue that debate while there is still a service to discuss. What we’re currently suffering is a haphazard dismantling of a fragmented service as small local battles are fought - and often lost - all over the country.

I worked in a public library for twelve years. I’ve seen the good that libraries do. If you can afford to buy all your books and have internet access, maybe you don’t need to go to one, but for goodness’ sake, why wouldn’t you? Libraries have far more books than most of us could ever afford, they’re (usually) warm, they’re friendly and safe, and they’re full of people who love to read! What’s not to like? (And yes, I know bookshops used to offer most of this. If you still have one that does, you’re very lucky.)

Conversely if you have no money of your own to buy reading material - and many people, especially children, haven’t - where else can you go? Even 50p at a charity shop is beyond some budgets. “The Internet!” is not an answer if you’re six years old, you have several brothers and sisters and everybody wants the computer at once.

Nobody’s saying the Library service doesn’t need to change in the light of the current upheaval in the book trade. But we only got to where we are by a long struggle. Abandoning all that hard-won ground now would be a dreadful mistake.

A while ago I did some digging around to find out the story of just one local library in my area. Some of the arguments may sound familiar:

1850

The Public Libraries Act gives boroughs the power to open free public libraries

1893

(No rush, as you see) - a letter in the local paper gives twenty reasons why a library would be a Good Thing, including, “Because for young people of both sexes a Public Library affords some place to which they can go, instead of loitering aimlessly about the public streets.”

1899

The Council vote against a Public Library, despite popular support which claims that, “The poor people here are very fond of reading,” and, “The people of this town… have been unfairly handicapped in the pursuit of knowledge by the absence of such an institution.”

The local papers are divided:

“The speeches of the members proved… that many of them know nothing at all about the question.”

“The decision was a wise one… while there were so many costly necessities, in the shape of loans for drainage, water supply and street improvements looming.”

“The public will always clamour for anything they can see a chance of getting for nothing.”

1905

Mr Carnegie (founder of the Carnegie Trust) offers £3000 towards the cost of a library. This sparks a public meeting, at which -

“Mr Pile said they should put every opportunity of improvement in the way of the young men of the town.”

(Cheers)

“Mr Dadds said that public libraries were a failure nearly everywhere.”

“Hear, Hear!”

“What did they read in these libraries?”

“Rubbish!” came the reply.

(There may be something in this. For a fee, the local subscription libraries were offering titles like, “Miranda of the Balcony,” “Maid with the Goggles,” “Further Adventures of Captain Kettle,” “Iris the Avenger,” and “Mrs Erricker’s Reputation”.)

1914-18

The Great War interrupts everything,

1925

There is a hold-up acquiring the land. The Carnegie Trustees want to see some action.

1933

A local campaigner points out that “no one with a leaning towards culture would oppose a free library” and finally…

1934

Hooray! The Library opens, after forty-one years of campaigning.

It’s still open now.

Long may it remain.

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Publication Day!

January 8, 2026

Cover of SemperFidelisDear friends of Ruso and Tilla in Britain - please excuse the cheesy grin while I celebrate the publication of SEMPER FIDELIS in the US and Canada. The quickest reader off the mark has to be Laurie, whose insomnia led her to discover a pre-ordered copy downloaded to her Kindle in the middle of the night. (She’s the one now dozing quietly in the corner.)

This is traditionally a nervous moment for authors - and not just for modern ones. Here are a few words from a writer anticipating his readers’ reactions some time before 63 B.C. …

“So ends the episode of Nicanor, and as, since then, the city has remained in the possession of the Hebrews, I shall bring my own work to an end here too. If it is well composed and to the point, that is just what I wanted. If it is trashy and mediocre, that is all I could manage. Just as it is injurious to drink wine by itself, or again water, whereas wine mixed with water is pleasant and produces a delightful sense of well-being, so skill in presenting the incidents is what delights the understanding of those who read the story. On that note I will close.”
(2 Maccabees Ch 15, vs 37-39, The Jerusalem Bible)
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Bring up the Bodies - and do pay attention, please

October 17, 2025

Hilary Mantel’s Thomas Cromwell novels seem to divide readers into those who think they’re absolutely wonderful and those who… don’t. As a member of the former camp I’m delighted that she’s won the Booker again. I have to admit, though, that I’ve never actually “read” either WOLF HALL or BRING UP THE BODIES. Instead I’ve enjoyed having them read to me while I’ve been busy doing other things.

The ‘other things’ have to be chosen with care. I once tried a long-distance drive in the company of Ian Rankin’s THE COMPLAINTS, and while the book was great, the resultant speeding ticket wasn’t. So now I reserve audiobooks for repetitive tasks not involving dangerous machinery. Thomas Cromwell has unwittingly helped to clear many piles of dirty dishes, and there’s a patch of garden at Downie Towers that I shall forever associate with the terror of young Mark Smeaton in much the same way as many of us can remember where we were when Kennedy was shot.

That, I think, is the sign of a good book.

 

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One for the Brits, one for everyone…

October 3, 2025

Two good things to pass on today.

Good news for those of us in the UK - Jane Finnis’s first Aurelia Marcella novel finally launches here next month. It’s been available as an import from the US for some time, but it’s finally got its very own British edition with a new title (Shadows in the Night) and a fabulous cover which you can see here, along with full details of the launch event in York.

Secondly - thanks to L G Johnson, who recommends Mike Duncan’s The History of Rome. “The last podcast was actually recorded a few years ago, but it is still relevant, as ancient rome ended quite a while before 2010 He is quite knowledgeable, very witty, just a lot of fun to listen to.”

The first podcast was recorded back in July 2007 and I’m looking forward to listening to it this evening.

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