Archive for the ‘Writing’ Category

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Fiction and Fakery

July 22, 2025

I was going to start this post with the Goebbels quote, “The bigger the lie, the more it will be believed.” Unfortunately it turns out that Goebbels probably never said it. According to this site, what he actually said was, “The English follow the principle that when one lies, one should lie big, and stick to it…” Of course he may not have said that either, since I’ve only picked it up from the Internet, but it suits my purposes.

This is all by way of introducing a marvellous article by Charlotte Higgins in Friday’s Guardian. It begins thus (and this IS a genuine quote, copied and pasted):

In 1747, the sensational discovery of an ancient chronicle redrew the map of Roman Britain and gave us place names we still use today. There was only one problem. It was a sham.

You can enjoy the rest of the article here.

The antiquarians of the day were taken in, and despite what seem (with retrospect) some obvious blunders, De Situ Britanniae (On the Situation of Britain) was not exposed as a fake until a hundred and twenty years after its alleged discovery.

Its author, Charles Bertram, drew on ancient sources to make his work convincing, and there’s no doubt that he intended to deceive. Whereas writers of historical fiction are honest folk who draw on ancient sources in order to weave new tales in and around the accepted ‘facts’…er, it’s all sounding rather similar, isn’t it? Except that reader and writer usually agree on the rules of the game. We all accept that much of what’s inside the book is made up. While we ‘believe’ in Marcus and Esca and their attempts to regain The Eagle of the Ninth, we all know they’re simply an invention of Rosemary Sutcliff’s imagination. However… I’ve lost count of the number of people who’ve assured me that the Ninth Legion really did vanish in Scotland: something that now, in the face of evidence discovered long after the book was published, seems highly unlikely.

Sometimes we believe what we want to believe. And sometimes an invention is useful. It is, after all, very handy to have a collective noun for the range of hills that stretches up the spine of Britain. And the fact that it sounds remarkably similar to the Appenines, which stretch up the spine of Italy, might suggest a Roman source. Or an inventive mind…

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Prima Donna Downie

July 8, 2025

This weekend I’ve been chatting with the lovely Rob Cain from “Ancient Rome Refocused” via the miracle of Skype. Rob will be podcasting my ramblings at some point - if he can edit them into something sensible - but in the meantime something he said set me thinking. It was the very simple question:

Where do you write?

The answer to that was once, “The bedroom. When the children have gone to bed and Husband is downstairs watching TV, I turn on the computer, get the corkboard of out from under the bed so I’m sitting beside pictures of Roman sites, and get on with it.”

These days the ‘hobby’ has been promoted to ‘work’ and it gets a whole spare bedroom to itself. For some reason I assumed that as well as providing space for more bookshelves, this would also make me a more productive writer.

We’ve moved house a couple of times recently, and in the previous (temporary) house I wrote in a little room with a big view. A glance out of the window would allow me to keep an eye on the the traffic and the occasional horse on the main road, and beyond that I could have written daily reports on the roaming of the local cattle, the extensive prowlings of a black cat, and the odd bit of excitement - a fox, deer, a runaway ball pursued down the hill by the clattering steps of a lad in football studs, or the arrival of another huge caravan to be eased round the tight corner down in the village. People used to ask, “How do you ever get anything written?” and I began to wonder myself. Were these happy distractions holding me back? Was my subconscious pining to offer me 3000 words a day while my outer self gazed out of the window?

Perhaps not. The new study/office/room is much more professional. Admittedly there’s a wardrobe, because it’s also the spare room, but it also has space for far more books. The perfectly pleasant view - a wall, a hedge, a flowerbed, the car - holds few distractions.

I miss them. In their absence, I have started to notice that I really don’t much like yellow walls. Or yellow-and-green curtains. Or that black shelving. And surely the plot would resolve itself much more easily if I moved those boxes of papers back to where they were before? Thinking of paper… why hasn’t the postman been? Is it raining out there? Is it going to rain? My feet are cold. Maybe I’ll just go and work on the sofa, where’s it’s warmer. Maybe I should give up for a while and paint the walls? I’ll be SO much more productive afterwards…

And then, watching Andy Murray power his way to the men’s singles title yesterday at Wimbledon (I had to mention it) I remembered that I am very lucky to have a room at all. I bet Andy Murray doesn’t decide he can’t train because he’s distracted by the view, or he doesn’t like the curtains, or it’s a bit chilly this morning. I bet he just gets on with it. And so shall I.

Just as soon as I’ve painted the walls.

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A sad loss

June 20, 2025

We woke this morning to the news that James Gandolfini had died. It felt like losing an old friend of the family.

We came late to The Sopranos in our house. We missed the start of the first episode and it was a while before we realised that behind the violence and the overweight men swearing at each other, there lay a sharp script complemented by marvellous acting.

As the stories unfolded, I couldn’t help wondering whether the Mafia is a spiritual descendent of ancient Roman ancestors. Roman society was deeply hierarchical: everyone was dependent upon someone higher up - apart from the Emperor, who was at the mercy of the gods and sharp knives. In the absence of a police force or a public prosecution service, you hoped that in return for your loyalty, your superior would also be your protector.

The brilliance of the Sopranos script was that we saw behind the façade of the Great Man. We saw a character who could terrorise his business associates but couldn’t control his children, and was paralysed by the impossibility of ever pleasing his ghastly mother. We sat in on Tony’s secret visits to his therapist, who of course could never do much to resolve his problems because he could never tell her the truth. Yet when the therapist was the victim of crime it was Tony, her powerful ally, who administered justice.

It was wonderful writing and Gandolfini, a man with the body of a bear and the innocent grin of a child, was ideally cast.

Rest in peace, James Gandolfini. We remember your work with great pleasure, and – as Tony Soprano would have wanted - with respect.

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Coming soon… CONVOY

May 16, 2025

This weekend I’ll be talking to Caroline Davies, author of CONVOY, a new collection of poems telling the stories of the men who fought to get supplies through to Malta during the Second World War, and of their families back home.

With luck we’ll have a couple of the poems right here on the blog.

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Radio Silence

April 30, 2025

Sorry it’s been a little quiet around here lately. I’m currently racing to tidy up a manuscript that’s going to the new editor tomorrow. This basically consists of tweaking things that made sense when I wrote them, and scowling at all the queries flagged up in the margin (to which I still don’t know the answers).

Never mind: there’s still 18 hours for inspiration to strike.

 

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Simon Morden and the collapsing camping stool

April 13, 2025

Great to hear that Simon Morden’s Samuil Petrovitch trilogy has won the Philip K Dick award.

As you might guess, it’s science fiction - not something we often run into here at Downie Towers. But I’m enormously grateful to Simon. Over the years I’ve sat on damp sofas, wet grass, and a collapsing camping stool to listen to him speak at the Greenbelt Festival. At the worst venue, everyone stood in several inches of mud. At the best, we were all crammed into an Inflatable Church.

No matter what the surroundings, it was always worth being there. He’s one of those writers who takes time to encourage his fellow-scribes, and he always has something thoughtful to say. Here’s my favourite - the words that encouraged me to think maybe a novice like me could dare to write about Roman Britain:

‘Never mind write what you know. Write what you love.’

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Miserable Medievals

March 27, 2025

Alison Flood wrote a delightful piece in the Guardian Books Blog the other day, quoting some of the complaints added to manuscripts by medieval scribes. now gathered together for our entertainment on Brain Pickings.

It put me in mind of the student copy of ’Gawain and the Green Knight’ which surfaced at Downie Towers the other day. Flipping through it to see how much I would still understand (not much), I found that the margins had been defaced by some terrifying intellectual with handwriting remarkably like my own. There was one point, though, where the intellectual seemed to have cracked.

I remember the exact moment when this particular note was written. We were reading the passage where Gawain was suffering terribly from the cold of winter, and our Middle English professor paused to explain that our medieval ancestors would have longed for Spring with especial fervour, since they had no central heating.

Now, most of the class hardly needed to be told this. We lived in student flats. We spent our winter evenings huddled round electric bar fires in rooms where damp ran down the walls and mice ran across the lino. The poem aroused our heartfelt sympathy for its shivering hero. This is my only excuse for the plaintive and ungrammatical sentence inked into the margin:

Me and Gawain are going to club together and buy a gas fire.

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An interview with Jane Finnis

December 8, 2025

Today I’m delighted to welcome Jane Finnis to the blog. Jane is the author of the Aurelia Marcella mysteries set in Roman Yorkshire.

I’m always interested in the way other writers approach their work, and the first thing I wanted to ask Jane was about her choice of lead character.

Jane Finnis

Me: I once heard a writer say he wouldn’t have a woman as a lead investigator in a historical novel because it would be too restrictive - ‘men got out more’.

Is there anything you’d like to say to him?

Jane: He’s missing a trick, in my view. Of course he’s right that men had “got out more” in most past eras…in theory. Certainly under ancient Roman law, males had all the political and most of the economic power…but I repeat, that’s in theory. It wasn’t always so in practice, because then as now, you can’t keep smart women down. And that’s precisely why I decided to have a woman sleuth in Roman Britain, and show how she could work the system and be much more independent than her legal status would suggest. My Aurelia is an independent-minded innkeeper. Her brother is the legal owner of the inn, but he leaves it to her to run, because they both know she is the brains behind it.

Me: Aurelia’s inn is in Yorkshire - while this is God’s own county, does she have any plans to travel?

Jane: Her next adventure will be set in and around London; she’s going there for a wedding, which promises to be a happy, trouble-free occasion. But…

Me: What’s surprised you most in your research into Roman Britain?

Jane: How similar many details of Roman life were to our own. Like their custom of holding birthday parties and inviting all their friends. Like the way rich men flaunted their wealth so blatantly they made themselves ridiculous. Like the politicians’ habit of feathering their own nests.

Me: My copy of ‘Danger in the Wind’ is on order. Tell me what I’ve got to look forward to!

Cover shot of Danger in the WindJane: A cracking good read, of course…sorry, that isn’t what you mean, is it? Well then: Aurelia is invited to a birthday party by her cousin Jovina, who lives at a quiet, rather dull fort north of York. Jovina’s invitation includes a warning of danger in the wind, and the day it reaches Aurelia, a soldier is murdered at her inn, carrying a coded message indicating some impending threat will disturb the fort’s peace. Aurelia goes to the party with a mixture of excitement and trepidation. The trepidation is well founded; the excitement turns to nightmare.


Me: Are you a writer who plans, or one who plunges in?

Jane: I start with a setting, a basic idea for a murder or several, and whodunit. Those don’t change. Then I try to work out the plot in more detail, and I write a lovely synopsis, but I’m incapable of sticking to it in practice. I must be free to include ideas that come to me as I’m writing, adding twists of plot or following up a character’s reaction. This keeps things fresh for me. I’d be bored if I had to stick to a prearranged plan, and if a writer is bored, then the gods help the poor reader!

Me: You had a career as a radio presenter before becoming a novelist. Do you think that experience has influenced the way you write, and if so, how?

Jane: It’s helped me to write first-person narration, and dialogue. I hear words in my head as I pound the keyboard, as I did when preparing radio scripts, and alarm bells usually ring if something doesn’t “sound right”.

Me: Any top tips for mystery writers?

Jane: Never get hung up on “rules” for any sort of writing. There’s some wonderful advice around for mystery authors; use it if it helps, and some of it will. But even the tips that come presented as “Ten Rules for…” or “Ten ways to…” are only guidelines, not rigid laws. Write how you want to write.

Me: Finally - What question do you wish interviewers would ask you but they never do? And what’s the answer?

Jane: I’ve always wanted someone to ask me what dishes I’d serve at a Roman banquet. I’m assuming money was no object, and I could prepare a wonderful variety of foods and wines from all over the Empire, with plenty of time to savour them; Roman feasts could go on all night, with cabaret acts between courses. (I’m sure everyone knows by now the untruth of the myth that guests deliberately made themselves sick during banquets in order to eat more.) There isn’t room for a full menu here, but any banquet I gave would have to feature these three dishes: seafood rissoles (could be lobster, squid, cuttlefish,) with cumin sauce which included other spices plus honey and vinegar; roast duck with hazelnuts (the nuts were combined with herbs and spices into a kind of crunchy coating;) and finally patina of pears, a puree with an interesting sweet-sour flavour involving honey and sweet wine, pepper and the famous (or notorious) Roman fish sauce. Hmmm…I’m feeling hungry already.

DANGER IN THE WIND is now available in America and is published in the UK this month.

Other books in the series, SHADOWS IN THE NIGHT (formerly GET OUT OR DIE,) A BITTER CHILL, and BURIED TOO DEEP, are being re-issued, so now is a good time to catch up.

Find out more at Jane’s website and blog - www.janefinnis.com, http://janefinnisblog.wordpress.com

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“A messy and mysterious process”

October 15, 2025

Those were the words used by Paul Theroux to describe the writing of fiction in, er - was it ‘My Secret History’? Wherever it comes from, it’s a phrase that’s both true and reassuring.

More cheering advice from Geoff Dyer on the Guardian’s ‘how to write fiction‘ thread yesterday:

“…you don’t have to know what kind of book you are writing until you have written a good deal of it, maybe not until you’ve finished it – maybe not even then.”

 

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Very short stories, very famous names

September 12, 2025

Some of us have never quite got to grips with Twitter, but if you have, here’s a chance to write alongside some top authors:

Launching on 14 September 2025 for 5 consecutive weeks, Simon Brett, Neil Gaiman, Joanne Harris, Ian Rankin and Sarah Waters will lead a short story tweetathon in which authors and tweeters will collaborate to write a short story in 670 characters.

This is the brainchild of the Society of Authors, and it’s part of their campaign to mark (and if possible, reverse) the decline in broadcast time the BBC are giving to short stories. You can find out more here. Meanwhile I’m off to my very underused Twitter account, to see if I can work out how to spread the word.

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